Financial Projections Essay Example | Topics and Well Written Essays - 250 words

Financial Projections - Essay Example These marketing researches provide decision makers ins and out of customers in the market, how would they behave towards the products and services offered by the business, what would be the demand for the offered products and services once the marketing campaigns are incorporated (Gorla et al., 2010; Hersey & Clanchard, 1969). Once the strategic targets that organizations tend to achieve are identified, organizations then line up their resources to achieve those targets. This is the reason that marketing research plays an important role in financial projections as it enables decision makers to identify the set of product development efforts and marketing tactics required to make the offered product a success story (Handlechner, 2008). Marketing is also involved in financial projection as the decision makers develop projections to be achieved in the next in such a manner that it motivates shareholders and external investors to provide more financial strength to the company. The added financial strength is then invested on further product development and improvement

Game Development Essay Example for Free

Game Development Essay Once upon a time, the peaceful Kingdom of Greenland was invaded by the unexplained monster ruled by a tyrannous Garviod who was famous for his black magic. The beautiful Kingdom fell into ruin and despair. The inhabitants become an unexplainable creature. Some are became plants, trees, animals and those who are unkind to the nature became stones, garbage and monsters. Unfortunately, one of the inhabitants that have been transformed by a black magic was the old Prophet living in a cage and he became an old Tree. According to his prophecy, there will be a simple gardener who will have the power to fight the monsters in the Kingdom. The old prophet Tree traveled to find the man on his prophecy. As he traveled, he found Seedy. Humble and loving nature gardener who was transform to a seed. The old Tree gives him a map to find the treasure of X-lost. Then he said, â€Å"That the only way to break the evil spell and return the inhabitants of Greenland into normal was the magical light hidden in the treasure of X-lost.† But the ruling monsters Garviod heard about the magical treasure of X-lost and he keeps the treasure in one if his castle. Seedy humbly vowed to rescue the Kingdom and he started his journey to find the treasure of X-lost in the Castle of Garviod. Could Seedy overcome the many obstacles facing him and became a true hero? Let’s find it in the â€Å"Adventure of Seedy†. 1.2 Statement of the Problem The following problems were identified: 1. In many computer games, others kids are rewarded for being more violent. The child practicing violence in his own like killing, stabbing and shooting. 2. Some computer games are teaching kids a wrong values. 3. Some of games are simply for entertainment. 1.3Objectives The aims of the study are: 1. To development a game that would not portray violence. Rather than using a objects that represents violence, the proponent will design an object that are simple yet related to the environment. 2. To design a game that will teach the kids/user the value of environment. 3. To develop a game that makes learning fun not only to entertain. The items, weapons and object in the game are design next to the concept of environment.

Ethnography: Ainu Essay example -- Cultural Anthropology

Ethnography: Ainu Worldview   Ã‚  Ã‚  Ã‚   The Ainu, Japan’s native aboriginal people, are very much an isolated people, living now only in the northern island of Japan, Hokkaido. They number, as of a 1984 survey, 24,381, continuing a rise from a low point in the mid nineteenth century due to forced labor and disease, and have largely left their old ways and integrated into standard Japanese society, though even the majority of those still reside in Hokkaido. The animistic religion of the Ainu is firmly enmeshed with every other aspect of the culture. Family and Kinship   Ã‚  Ã‚  Ã‚   Most Ainu organize in groups of nuclear families, the nuclear family being the basic social unit (Encyclopedia). Some groups, however, have extended families, but are not as common. Families are both patrilineal and matrilineal, the sons inheriting the father’s clan and the daughters inheriting the mother’s clan (. Both males and females do not marry cousins, but only from their mother’s family (Encyclopedia). Also, polygyny is practiced by the higher-status males in a community (Encyclopedia). During the bear ritual, relatives of the host in other settlements usually come to participate (Encyclopedia). Marriages traditionally were either arranged or of mutual consent (Museum, Life 1). Also, as a result of the twentieth century’s attempted Japanese integration, often through exogamy, now not even a third of all Ainu have four Ainu grandparents (Bowring 244). Economics The Ainu traditionally were hunters and gatherers, but rather than wandering nomadically, they settled in one location, on one section of a river, where they could fish and hunt (Museum People). However, in more recent times, Ainu seeking to integrate into Japanese society have taken jobs in ... ... Apr. 2002.      Encyclopedia of World Cultures.   CD-ROM.   Old Tappan, NJ: Macmillian.    Forbis, William H.   Japan Today:   People, Places, Power.   New York:   Harper, 1975.    Law to preserve Ainu culture was Passed.   1 Feb. 2002.   Buraku Liberation and Human Rights Research Institute.   25 Apr. 2002.   .    Takasugi, Shinji.   Numbers in world languages.   25 Apr. 2002.   .    Thomason, Andy.   â€Å"The Ainu of Japan.†Ã‚   2 July 1999.   Suite101.com Inc.   25 Apr. 2002.   .    Wright, Mike.   â€Å"Ainu-English Word List.†Ã‚   13 Nov. 1999.   Costal Fog Net.   25 Apr. 2002.   .

History of the Blues Essay

Conscious Hip-hop is the modern form of the blues. Both genres of music express the hardships of the African American people in their respective time periods or explain the culture surrounding the artist and/or their community. Through their lyrics, the artists from the two genres are able to spread the culture and experiences of the black race. Elements of the blues are rooted in African culture. The blues is one of the most influential styles of music, especially music of the early twentieth century. During its peak, the blues seemed to take on the role as the voice of the black population. Artist like Ma Rainey, Robert Johnson, and others alike were some of the great blues musicians. Although each artist sings about something different, they implant an emotion as well as spread the tribulations expressed in the song. In today’s world, conscious hip-hop has become the new blues. Although there are many musical alterations, conscious hip-hop currently serves the purpose that the blues once served for the African American community. This style of music speaks about the new hardships experienced by the community, and portrays it in a way that can be felt by anybody who has had the same, or similar, experiences. Blues Ma Rainey is considered the mother of the blues. She was known for her musical gifts, such as a wonderful bluesy tone. She was one of the pioneers of the blues as she was one of the first people, woman or man, to achieve notoriety and fame from this line of work. In Ma Rainey’s song, â€Å"Trust No Man†, she is lending advice to other women about the amount of trust that should be given to their male counter part. This song is one of the many problems experienced not only by black women, but women everywhere. Though it is not directly stated, the woman is in a relationship where her husband or boyfriend is constantly cheating on her, or at the very least, has experience with cheating men. Rainey continuously advises the woman not to allow the man out of her sight. During the release of this song, the world was still considered a â€Å"man’s world†. Consequently, this gave birth to the idea that men were allowed to cheat on their women and do whatever they wanted. All while the woman of the house stayed at home and waited for him. The song was extremely controversial, as well as popular. It was controversial because it was considered to be out of a woman’s place to speak her mind, let alone concern herself with the actions of what her husband was doing. With this in mind, Rainey’s song openly spoke out against it. It shined light onto the mistreatment of women by their men, as well as spoke against women letting it pass by as if it were acceptable to do so. As a result of all of those factors, the song was a female fan favorite. Ma Rainey gave a voice to the women who felt this way, but did not feel strong enough to speak out against it. This is just one way the blues contributed or spoke for the people. Robert Johnson’s mysterious background gave light to the spiritual/ unknown side of African culture. Robert Johnson was a blues guitarist and vocalist from 1933-1938’s. The song â€Å"Crossroad Blues† was one of his greatest recordings. The song talks about an encounter between Johnson and a â€Å"figure† at the crossroads. This song came about great fame because it is suppose to shed light on a â€Å"true† event that happened to Johnson. The legend goes that one day, Johnson was performing on stage when people began to humiliate him. Johnson ran out of town, and found himself walking down a lonely dark road. He came to a crossroad, where he had an exchange with the devil himself. The exchange was that the devil would grant Johnson musical talent if Johnson sold his soul to the devil. Johnson’s mysterious death added to the phenomena. The song talks about the unknown, which was something that was common in those times. Johnson, being a southern native, was probably exposed to things works such as voodoo, and selling of souls. Though this was not a hardship, it was a part of the culture for this time period. Big Bill Broonzy spoke out on situations that relate more with hardships in his song â€Å"Black Brown and White†. Big Bill Broonzy was a Chicago blues guitarist and vocalist. His song, â€Å"Black Brown and White† tells a story of the normal everyday struggles that the African Americans went through. In â€Å"Black Brown and White†, Big Bill Broonzy says, â€Å"Me and a man was workin’ side by side, This is what it meant, They was paying him a dollar an hour, And they was paying me fifty cent, They said if, you was white, ‘t should be all right, If you was brown, could stick around, But as you black, m-mm boy, git back git back git back†. African Americans were still considered less than whites, and segregation was still a huge part of society. As sad as it is, this was one of many social injustices imposed unto the African American community. Broonzy was able to use his music to share his experiences, as well as others’ experiences. Broonzy’s song â€Å"Black Brown and White†, gave a voice to the people who were enduring these hardships, and gave them hope in a â€Å"white ran† society that did not care about African Americans. Broonzy’s ability to speak out against the social injustice such as unequal rights was extremely influential. His style of playing helped in these efforts. A guitarist of the same genre, or style, used his talents to shed light on a different aspect. Muddy Waters is another Chicago Blues guitarist and vocalist. In his song, â€Å"Hoochie Coochie Man†, there are a lot of sexual references. It is also an example of call and response between a singer and the musicians. The style of guitar playing left room for a clearer understanding of lyrics, or a fuller sound. In â€Å"Hoochie Coochie Man†, there is separation, or a call and response musical interaction going on. But in many of Waters’ other songs, his guitar playing expands and thickens the texture of the music. The addition of the amplified harmonica, played by Little Walter, also helps add to the thickness of sound. The blues was changing; the use of the electric guitar, harmonica, piano (Otis Spann), and other musical techniques, brought on a new era and style of the blues. Muddy Waters was one of the pioneers in the change. The story of how the song came about is, Willie Dixon, Waters’ bass guitarist, was telling Waters about the song while Dixon and Waters were in the bathroom of a nightclub. Since Waters could not read, he rushed out to perform the song immediately, so that he would not forget it. Telling the group to play in the key of A, and no rehearsal prior to its performance (which is part of the reason for a call and response), added to the song’s tone as well. It was an instant hit everywhere it was played. Although there are voodoo references in a small portion of the song (which can be connected to Waters roots back down south), this song does not accurately describe any particular hardship of the African community. Waters perfectly portrays the life of a blues musician. Most blues musicians were in situations similar to the one that is described in â€Å"Hoochie Coochie Man†. Lustful women, who were looking to have sexual interactions with the artist, were constantly approaching blues musicians. The artist’s fame and social status attracted the hormones of many. This song reveals to the audience this aspect of a blues musician lifestyle during that time period. Hip-Hop Lupe Fiasco is the supreme example of conscious hip-hop’s claim to be the modern blues. Lupe Fiasco is a Chicago born artist who has produced and recorded many songs. He is today’s ideal conscious rapper. To define conscious rap â€Å"Conscious rap is a sub-genre of hip-hop that focuses on creating awareness and imparting knowledge. Conscious rappers traditionally decry violence, discrimination, and other societal ailments. It’s propelled by the conviction that radical social change comes through knowledge of self and personal discovery. † (about. com/consciousrap) Formally known as Lupe, he has three records, each touching on a subject that is currently affecting the African American community today. â€Å"He Say She Say† is a conversation, between three people, given from two different perspectives. The first perspective is between two people. An African American baby’s mother is discussing an issue with the father of her child. The two are not together, and consequently, the father neglects his duties to his son. As time passes, it takes a toll on the child academically and emotionally. The second conversation is the actual child and the father. The son discusses the way he feels about his father’s absence and how it is affecting him. The feelings of anger, sadness and disgust are felt through the tone and lyrics of Fiasco. There is no clear ending as to what happens next, so the listener does not know if the situation betters afterwards. This is a current problem today. Many African American children grow up fatherless, which leaves the mothers to play both roles. Fiasco’s inspiration was not an internal factor, but rather his friends and people around him in his community. Actually, Fiasco’s father played a huge role in Fiasco’s persona. While reading through biographies about him, I got the idea that Fiasco understands that without his father, Lupe would not be the person he is today. Jonylah Forever† is one of Fiasco’s most recent hits. It is about the life story of a six-month-old baby, Jonylah Watkins, who was shot five times (and killed) while in the minivan with her father (who lived). The song starts off saying â€Å"How bout them bullets ain’t slow you up You ain’t really die, we watched you grow up†, giving her the opportunity to live. The song goes on a path that guesses at what her life could’ve been. It talks about how the shooting changed her life and made her interested in learning. She graduates high school early, becomes a doctor, and in a intriguing twist, Fiasco ecreates the shooting that took her life, and makes it so that in the song, she was able to save herself. Sadly, this did not happen, but Fiasco’s lyrics opens up the eyes of many listeners so that they can see the pain and suffering violence causes, which is still one of the biggest crimes in America, especially in the African American population. In â€Å"Bitch Bad†, Fiasco brings up the influence of today’s provocative and vulgar music. A innocent young boy, who is no older than six, is defiled mentally while relaxing with his mother. The mother is listening to, and repeating, music, that refers to herself as a bad bitch. This corrupts his idea of what exactly is respectful and endearing. Since his mother is his only source of womanly standards, he believes all women must be that way; they must all be a bad bitch, or appreciate when he calls them a bitch. Parallel to the young man’s story, a little girl watches music videos that have a lady dressed in a bikini, shaking her booty. Although her favorite rapper made the video that the little girl is watching, Fiasco says that the little girl is barely listening to the lyrics. She is actually much more influenced by the lady dancing with her favorite rapper, so she pays more attention to that. As stated in the song, â€Å"Yeah, now imagine a group of little girls nine through twelve, On the internet watchin’ videos listenin’ to songs by themselves†¦ They’re young, so they’re malleable and probably unmentored†¦ Until that intelligence meets their favorite singer’s preference â€Å"Bad bitches, bad bitches, bad bitches That’s all I want and all I like in life is bad bitches, bad bitches† Now let’s say that they less concerned with him And more with the video girl acquiescent to his whims† (rapgenius. om) This paints a picture that the music most artists produce today, is not just music. Music is a means of molding and sculpting the younger generation. Conclusion The two genres of music, the blues and conscious hip-hop, have a striking relationship. The blues speaks out to the emotions a nd experiences of the community. It also spreads the culture and mindset of the community. Ma Rainey’s â€Å"Trust No Man† was a public service announcement to women. Her strength and strong will stood for what was right. The same is true for Fiasco’s style of music in general. He is a strong believer in removing the vulgarity from the music. Though the mistreatment is in a different form, the two are closely related. Women in today’s African American culture have been seen as nothing more than sexual objects. The clothing they wear, the lyrics that people rap about them, or even the dances, creates this idea that they are supposed to be treated in such a horrible manner. Just as controversial as it was for Rainey to speak bout such mistreatment, Fiasco’s approach to hip-hop is anti hip-hop today. Jonylah Forever† relates a lot with the emotion with which Johnson sings with in â€Å"Crossroads†. Johnson’s wife died before the recording of it, and the deep emotion and pain that is felt as he is singing Crossroads, is the same type of inflicted emotion that is caused by listening to the story of Jonylah Watkins. Though Fiasco paints a picture where she does not die, when the listener comes to the understanding that the six-mo nth-old baby was actually shot to death, the feeling that her father must feel is casted upon the listener. The other songs I’ve listed on my playlist like Muddy Waters’ â€Å"Hoochie Coochie Man†, or J. Cole’s â€Å"Lost Ones† serve just as other listens that support my thesis. The bond shared between the blues and conscious hip-hop is strong. I am not saying the blues is conscious, nor am I saying the opposite. Clearly, conscious hip-hop does not follow an eight, twelve, or sixteen bar chord progression. Nor does the blues poets speak their words without some type of melodic tone. However, I do believe that today’s conscious hip-hop serves the same purpose that the blues served in its early beginnings. Both were the voices of people, and both used their musical talents, insight, and lyrics to positively portray the people. The music correctly depicts the mindset or thinking of their respective communities and eras. Their music is for the hopeful, motivation for the hopeless, and actually has substance to it, which is the ultimate purpose of both the blues and conscious hip-hop.

Knowing Your Audience

Running head: KNOWING YOUR AUDIENCE Knowing Your Audience Name BCOM/275 Teacher Knowing Your Audience On August 5, 2010, a small copper mine located in Chile suffered a cave-in which left 33 workers trapped underground. With workers being trapped 300 meters below ground with limited food, water, and oxygen, nobody knew for sure how long they would survive. After four days of being trapped, there was still no idea if any of the miners were even alive. Never before have so many workers survived being trapped underground for so long (Yang, 2010).Fortunately, in this case, tears turned to amazement as all 33 miners were located and rescued without any lives lost. Nobody really ever expects to encounter a situation like this until it happens. What does the employer tell the families of those who are trapped in the mine? What does the employer tell its employees? These are questions that many people do not prepare themselves for. These types of communications must be handled delicately and with the audience in mind. What are some considerations to remember given the different roles and people in the audience?This paper will discuss some of the potential needs of the families of the miners in receiving a message about this incident. It will also discuss the potential needs of the company’s employees when receiving a message about this incident. Finally, this paper will talk about what actions a person must take before and after the message is delivered to ensure that it was received as intended. As mentioned earlier, there are some considerations a person has to remember when communicating with the families of the victims and employees in this matter because of the different roles and people in the audience.If the audience is not taken into consideration when conveying a message, the communication could be lost, misunderstood, or incomplete. This could leave the audience misinformed and angry. When communicating with the families, there should be a sense of emp athy and sympathy directed toward them. Communication to the families should be prompt so that they do not have to hear about what happened to their loved ones on the news. The families of the victims would probably like to know how this could have happened and what is being done to get them out.The families don’t know as much about mining as the employees do so they would probably like an explanation of what went wrong. These types of situations are tough because the company wants to keep the families informed, but sometimes the sender knows as much about the incident as the families do. Communicating to the employees about the incident would be a little different. People that work in the mining field know about the dangers of cave-ins already. So there would be no need to go into detail about the incident. The communication should reiterate the importance of safety on-the-job.The communication should also let the employees know that everything possible is being done to resc ue the trapped workers. Keeping in mind that the employees could have friends who are trapped, the communication should also mention to employees that if they are not in the â€Å"right state of mind† to work, they should take time off for their own safety. Before a message of any kind is delivered to the audience it should be proofread and double-checked for grammatical errors and misspelled words. The sender should also find out if there are going to be any language barriers when communicating with the audience.If the method of communication is a phone call, it is a good idea to have a prewritten script to read off of to ensure that the communication is clear and concise. At the end of the message, the sender should ask the audience if they have any questions regarding the message or the situation. This will make sure that the message was delivered clearly and accurately. Depending on the circumstances, a follow-up communication may be made necessary to keep the families an d employees up-to-date on the situation. Conclusion All communications must be designed with the audience in mind.The communication will vary, depending on the circumstances and needs of the audience. If the needs of the audience are not considered before conveying a message, there is a good chance the communication could be incomplete, inaccurate, or unsuitable for the audience. In a situation like what occurred in the Chilean mine collapse, extra care needs to be taken when reaching out to the families of the victims. References Weik, J. (2010). Over 30 workers trapped after chilean mine collapse. Manuscript submitted for publication, Library, University of Phoenix, Phoenix, Arizona. Retrieved from http://web. ebscohost. com. ezproxy. apollolibrary. om/ehost/detail? sid=84e3b3de-0140- Yang, J. (2010). From collapse to rescue: inside the chile mine. The Star, Retrieved from http://www. thestar. com/news/world/chile/article/873382 Communication 1 (Phone call to families of trapped m iners) This is Mike Miller, operations supervisor at San Jose mine. One of our mines suffered a cave-in today leaving 33 of our employees, including your husband, trapped underground for the time being. We have no information as to their physical condition or how long it will be before we can reach them. We have everyone possible working on the situation and we are hoping to have them out very soon.I just want to let you know that my prayers are with your family. If you have any questions at all don’t hesitate to call. As soon as we hear anything you will be the first to know. Communication 2 (Memo to employees) To: San Jose Mine Employees One of our mines suffered a cave-in today leaving 33 of our employees trapped underground. We are currently working on the situation and are doing everything we can to reach them. This situation should remind us how careful we need to be when we are working in the mines. As soon as we have any information on the situation we will let you kn ow. Human Resources Knowing Your Audience Running head: KNOWING YOUR AUDIENCE Knowing Your Audience Name BCOM/275 Teacher Knowing Your Audience On August 5, 2010, a small copper mine located in Chile suffered a cave-in which left 33 workers trapped underground. With workers being trapped 300 meters below ground with limited food, water, and oxygen, nobody knew for sure how long they would survive. After four days of being trapped, there was still no idea if any of the miners were even alive. Never before have so many workers survived being trapped underground for so long (Yang, 2010).Fortunately, in this case, tears turned to amazement as all 33 miners were located and rescued without any lives lost. Nobody really ever expects to encounter a situation like this until it happens. What does the employer tell the families of those who are trapped in the mine? What does the employer tell its employees? These are questions that many people do not prepare themselves for. These types of communications must be handled delicately and with the audience in mind. What are some considerations to remember given the different roles and people in the audience?This paper will discuss some of the potential needs of the families of the miners in receiving a message about this incident. It will also discuss the potential needs of the company’s employees when receiving a message about this incident. Finally, this paper will talk about what actions a person must take before and after the message is delivered to ensure that it was received as intended. As mentioned earlier, there are some considerations a person has to remember when communicating with the families of the victims and employees in this matter because of the different roles and people in the audience.If the audience is not taken into consideration when conveying a message, the communication could be lost, misunderstood, or incomplete. This could leave the audience misinformed and angry. When communicating with the families, there should be a sense of emp athy and sympathy directed toward them. Communication to the families should be prompt so that they do not have to hear about what happened to their loved ones on the news. The families of the victims would probably like to know how this could have happened and what is being done to get them out.The families don’t know as much about mining as the employees do so they would probably like an explanation of what went wrong. These types of situations are tough because the company wants to keep the families informed, but sometimes the sender knows as much about the incident as the families do. Communicating to the employees about the incident would be a little different. People that work in the mining field know about the dangers of cave-ins already. So there would be no need to go into detail about the incident. The communication should reiterate the importance of safety on-the-job.The communication should also let the employees know that everything possible is being done to resc ue the trapped workers. Keeping in mind that the employees could have friends who are trapped, the communication should also mention to employees that if they are not in the â€Å"right state of mind† to work, they should take time off for their own safety. Before a message of any kind is delivered to the audience it should be proofread and double-checked for grammatical errors and misspelled words. The sender should also find out if there are going to be any language barriers when communicating with the audience.If the method of communication is a phone call, it is a good idea to have a prewritten script to read off of to ensure that the communication is clear and concise. At the end of the message, the sender should ask the audience if they have any questions regarding the message or the situation. This will make sure that the message was delivered clearly and accurately. Depending on the circumstances, a follow-up communication may be made necessary to keep the families an d employees up-to-date on the situation. Conclusion All communications must be designed with the audience in mind.The communication will vary, depending on the circumstances and needs of the audience. If the needs of the audience are not considered before conveying a message, there is a good chance the communication could be incomplete, inaccurate, or unsuitable for the audience. In a situation like what occurred in the Chilean mine collapse, extra care needs to be taken when reaching out to the families of the victims. References Weik, J. (2010). Over 30 workers trapped after chilean mine collapse. Manuscript submitted for publication, Library, University of Phoenix, Phoenix, Arizona. Retrieved from http://web. ebscohost. com. ezproxy. apollolibrary. om/ehost/detail? sid=84e3b3de-0140- Yang, J. (2010). From collapse to rescue: inside the chile mine. The Star, Retrieved from http://www. thestar. com/news/world/chile/article/873382 Communication 1 (Phone call to families of trapped m iners) This is Mike Miller, operations supervisor at San Jose mine. One of our mines suffered a cave-in today leaving 33 of our employees, including your husband, trapped underground for the time being. We have no information as to their physical condition or how long it will be before we can reach them. We have everyone possible working on the situation and we are hoping to have them out very soon.I just want to let you know that my prayers are with your family. If you have any questions at all don’t hesitate to call. As soon as we hear anything you will be the first to know. Communication 2 (Memo to employees) To: San Jose Mine Employees One of our mines suffered a cave-in today leaving 33 of our employees trapped underground. We are currently working on the situation and are doing everything we can to reach them. This situation should remind us how careful we need to be when we are working in the mines. As soon as we have any information on the situation we will let you kn ow. Human Resources